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Elizabeth Barrett Moulton Barrett was born on 6 March 1806, in Coxhoe Hall, between the villages of Coxhoe and Kelloe in County Durham, England. Her parents were Edward Barrett Moulton Barrett and Mary Graham Clarke; Elizabeth was the eldest of their 12 children (eight boys and four girls). All the children lived to adulthood except for one girl, who died at the age of four when Elizabeth was eight. The children in her family all had nicknames: Elizabeth's was "Ba". The Barrett family, some of whom were part Creole, had lived for centuries in Jamaica, where they owned sugar plantations and relied on slave labour. Elizabeth's father chose to raise his family in England while his fortune grew in Jamaica. The Graham Clarke family wealth, also derived in part from slave labour, was also considerable. Elizabeth
was baptized in 1809 at Kelloe Parish Church, though she had already
been baptized by a family friend in the first week after she was born.
Later that year, after the fifth child, Henrietta, was born, their father
bought Hope End, a 500-acre (2.0 km2) estate near the Malvern Hills
in Ledbury, Herefordshire. Elizabeth had "a large room to herself,
with stained glass in the window, and she loved the garden where she
tended white roses in a special arbour by the south wall" Her time
at Hope End would inspire her in later life to write Aurora Leigh. She
was educated at home and attended lessons with her brother's tutor.
This gave her a good education for a girl of that time; she read passages
from Paradise Lost and Shakespearean plays, among other works, before
the age of ten. During the Hope End period, she was an intensely studious,
precocious child. Her intellectual fascination with the classics and
metaphysics was balanced by a religious intensity which she later described
as "not the deep persuasion of the mild Christian but the wild
visions of an enthusiast." The Barretts attended services at the
nearest Dissenting chapel, and Edward was active in Bible and Missionary
societies. Elizabeth was very close to her siblings and had great respect
for her father: she claimed that life was no fun without him, and her
mother agreed, probably because they did not fully understand what the
business really was that kept him when his trips got longer and longer. "Portuguese"
was a pet name her husband used. Sonnets from the Portuguese
also refers to the series of sonnets of the 16th-century Portuguese
poet Luís de Camões; in all these poems she used rhyme
schemes typical of the Portuguese sonnets. The verse-novel Aurora Leigh,
her most ambitious and perhaps the most popular of her longer poems,
appeared in 1856. It is the story of a woman writer making her way in
life, balancing work and love. The writings depicted in this novel are
based on similar, personal experiences that Elizabeth suffered through
herself. The North American Review praised Elizabeth’s poem in
these words: “Mrs. Browning’s poems are, in all respects,
the utterance of a woman—of a woman of great learning, rich experience,
and powerful genius, uniting to her woman’s nature the strength
which is sometimes thought peculiar to a man. Mr. Barrett disinherited Elizabeth, as he did each of his children who married. As Elizabeth had some money of her own, the couple were reasonably comfortable in Italy, and their relationship together was harmonious. The Brownings were well respected in Italy, and even famous. Elizabeth grew stronger and in 1849, at the age of 43, she gave birth to a son, Robert Wiedemann Barrett Browning, whom they called Pen. Their son later married but had no legitimate children, so there are apparently no direct descendants of the two famous poets. “Several Browning critics have suggested that the poet decided that he was an "objective poet" and then sought out a “subjective poet” in the hope that dialogue with her would enable him to be more successful.” At her husband's insistence, the second edition of Elizabeth’s Poems included her love sonnets; as a result, her popularity increased (as well as critical regard), and her position was confirmed. In 1850, upon the occasion of the death of William Wordsworth, her name was proposed for Poet Laureate, but the position went to Tennyson. [...] |
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